
Follow @GArtertonOnline

RADIO TIMES – When you started out, what was the dream?
I came from a background where acting was seen as a poncey job, so I never thought it was something I could do and get paid for. We didn’t go to the theatre or cinema very often and we didn’t really watch TV… Even when I was at drama school, I thought, “I’ll probably have to do another job to supplement this.”
Was a film career your main goal?
It took me by surprise. After Rada, my agent said, “Now you have to go up for this and this,” and you just do. I was so naive, I went up for everything and was suddenly meeting the Bond people [for Quantum of Solace], thinking, “God, I’m never going to get that!” Then I got it and was like, “Oh, I’d better do it because it’s Bond…” That was my life for three years. I’m lucky to have got it! Especially when you’ve got a student loan.
Do you remember your first review?
I was really damaged by reviews last year when I did Made in Dagenham. It was a huge project for me and we got really good ones and REALLY bad ones. They picked on me, which is fine, but it’s hard when you’ve got to go on stage again that night, and the next night, for four months after that… So when I started in Nell Gwynn, I decided not to read any.
I did Ibsen at the Almeida a few years ago and [Guardian critic] Michael Billington came on press night and we were all so nervous – I ripped my trousers, it was a nightmare! Anyway he re-reviewed it at the end of the run and wrote an article about how it’s ridiculous that we review one performance, right at the start.
TV is now attracting big film stars and directors – why do you think that is?
There used to be a bit of snobbery around doing TV, especially for film actors, but it gives us greater scope. So much freedom comes with that. I think it’s the future actually…
And now theatre performances are on live at the cinema, which I’m unsure of… A performance is something you were either there for or not – that’s what’s magical about it. And also for my own ego, I hate the idea of doing a theatre performance on screen – it’s a totally different style of acting, and I don’t think they merge.
(source)