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Thanks to Lorna for all the wonderful new scans.
GALLERY LINKS:
– Scans: Evening Standard Magazine (UK) – November 5, 2010
– Scans: Heat – December 4-10, 2010
– Stage: The Master Builder (2010) > Evening Standard Magazine (UK) – November 19, 2010
– Stage: The Master Builder (2010) > The Stage – November 25, 2010
– Stage: The Master Builder (2010) > Sunday Times Culture – November 28, 2010
Follow us: http://twitter.com/gemma_arterton



Gemma Arterton was seen getting her hair cut in West London earlier today.
GALLERY LINKS:
– Photoshoots: Guardian (2010)
Follow us: http://twitter.com/gemma_arterton



Follow us: http://twitter.com/gemma_arterton




GALLERY LINKS:
– Events: “The Master Builder” – Opening Night After Party
– Tamara Drewe (2010) –> Related Clippings: Fotogramas – November 2010 (Thanks to Elmira!)
– Tamara Drewe (2010) –> Related Clippings: Weekend Commersant Russia – November 2010 (Thanks to Elmira!)
Follow us: http://twitter.com/gemma_arterton




GALLERY LINKS:
– Events: “The Master Builder” – Opening Night After Party (Thanks to Roberta!)
– Stage: Daily Telegraph (UK) – November 19, 2010 (Thanks to Lorna!)
Follow us: http://twitter.com/gemma_arterton
The star of this sparse modern-dress production of Ibsen’s poetic 1892 play is Gemma Arterton.
She’s effusive and assertive, yet also haunting; her brown eyes dance with an ambiguous light and her gestures, though often expansive, feel wholly authentic.
Arterton’s character Hilde Wangel proves an antagonistic flirt. She captures this paradoxical quality with a delicate touch, investing the part with luminous intensity. Read More
I) The Guardian
By Michael Billington
4 out of 5 stars
Ibsen’s weird, autobiographical 1892 play gets a radical makeover at the Almeida. Out go the oppressive furniture, the frock coats and even the statutory intervals. Instead we get a straight-through, 105-minute version that has the quality, like an earlier Macbeth from the actor-director team of Stephen Dillane and Travis Preston, of a propulsive dream.
On the realistic level, Ibsen’s plot is relatively clear. Solness, an ageing architect fearful of the new generation, finds his home invaded by the 23-year-old Hilde Wangel. Claiming the kingdom he promised her as a teenager, Hilde spurs him on to a climactic tower-climbing feat that proves his downfall. But what does it all mean? Read More